Solaris (Andrei Tarkovski, 1972)
[originally posted 3Dec2002]
If that is not a perfect seventies sci-fi movie poster, I don’t know what is.
photo credit: magnoliaforever.wordpress.com
There is endless debate among film snobs as to which of Andrei Tarkovski’s seven feature-length films is the best; for me, there’s no comparison. Solaris, Tarkovski’s compelling, gorgeous epic retelling of Stanislaw Lem’s thin (and somewhat mediocre, unlike most of Lem’s work) novel, is first among equals. [ed. note 2014: it has encountered some serious competition in the past few years from Stalker, and the two are now almost running neck and neck with me.] Clocking in at just under three hours, Solaris is the tale of Kris Kelvin (Donatas Banionis), a psychologist sent to the spaceship orbiting the ocean planet Solaris to find out what happened to the crew. He soon finds that the planet is a sentient being itself, and that it sends visitors to the crew—beings that are for all intents and purposes human, but are constructs from the crew’s minds. The one it picks for Kelvin is his late wife Khari (Natalya Bondarchuk), and soon Kelvin finds himself in the same position as the rest of the crew: questioning everything he knows about humanity, existence, and what it all means.
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