The Evictors (Charles B. Pierce, 1979)
We get ’em out the old-fashioned way!
photo credit: dailygrindhouse.com
There are a whole lot of directors at work in America today who should be sat down—with as much force as necessary—and made to watch The Evictors, which is an excellent example of how to make a stylish, effective thriller on a basement budget. But since that’s not going to happen, I can distill what they need to learn from this movie into a single sentence: look backward, not forward. Look, if you dare, at the plague of Asylum pictures and Syfy Original Movies and all that sort of dreck, and one thing you will likely notice is that everyone’s waving around CGI like it’s a brand-new toy they can’t get enough of. It’s a very loud, flashy toy, and it annoys the hell out of mom and dad five minutes after the box is opened. Now watch the opening sequence of The Evictors, which is filmed in sepia-tone; the sequence takes place in the thirties, and Pierce was going for that kind of look. It’s very well-shot, it’s obviously out of place, and it does what it sets out to do. If this movie was made in 2013, that sequence would probably be CGIed to death, and the movie would be the worse for it. This is not to say that The Evictors is a perfect film, not by any stretch of the imagination, but for what it is, it is a very good one.
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