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Leptirica (The Moth) (1973): Yugoslavian Made-for-TV Horror: Better than Yugoslavian Made-in-the-Seventies Cars

Leptirica (Djordje Kadijevic, 1973)

(note: review originally published 29Nov2008)


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Even the man who is pure in heart and says his prayers by night…

Leptirica has been something of a legend in the Western horror underground for decades, and it has gained recent caché in the form of an exceptionally high IMDB rating [UPDATE: as of 7Nov2012, the film is still at a very respectable 8.0] coupled with the makers’ seeming stubborn refusal to release the film in any form outside the former Yugoslavia; however, a recent version was released to a select few folks with the first English subtitles ever attached to the film, and I was lucky enough to lay hands on a copy a few weeks ago.

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The best hair in Yugoslavia, circa 1973

The story concerns a small Yugoslavian village haunted by a vampire (or the local Slavic equivalent, in any case). In the opening scenes, it kills Vule (Toma Kuruzovic), the local miller, and the village finds itself without a replacement. The town council happens upon Strajinha (Petar Bozovic), who, frustrated in his love for the beautiful Radojka (Mirjana Nikolic) by her domineering father Zivan (Slobodan Perovic), is preparing to leave the town. They convince him to become the new miller by promising him enough of a salary to become moneyed enough to marry Radojka. Meanwhile, the council try to find out who the vampire is, settling on someone who’d died ninety years before and been buried in unhallowed ground. They must find the vampire’s grave and put it to rest before they lose yet another miller…

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Note: “leptirica” is also a slang term for a part of the female anatomy that (a) according to some urban legends, also has teeth like this, and (b) makes me almost certain you really, really don’t want to google that term looking for movie stills.

Looking at it from a Western perspective (or even an Eastern one these days), Leptirica is a movie made on a shoestring budget, with grainy film and bargain-basement special effects. It’s the kind of movie that amateur filmmakers by the hundreds are making in America today, and it has that same indie quality, despite being made for state television. As with the best of the indie films in America, however, Leptirica is marked by a decent amount of solid acting, an excellent sense of pace, and an atmosphere that’s saturated by creepiness. This is a movie that desperately needs wider acclaim than it’s gotten. It’s not easy to find these days, especially if you live in the west, but do your best to hunt it down; it’s very good stuff. ****

About Robert "Goat" Beveridge

Media critic (amateur, semi-pro, and for one brief shining moment in 2000 pro) since 1986. Guy behind noise/powerelectronics band XTerminal (after many small stints in jazz, rock, and metal bands). Known for being tactless but honest.

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